While I have dipped my toe into the future and the past with my writing, I feel most comfortable writing in present, contemporary time. Maybe it’s because I’m lazy? I don’t know. But writing historical fiction takes a fair amount of research if your books come out sounding true. And there’s a lot to keep up with if you build future worlds. (Same is true if you create series in contemporary time, I’ve discovered!) But because of our trucking years, we traveled over a lot of the country and I feel pretty happy drawing on our experiences to write about all kinds of locations.
And it is important to write truthfully about locations—unless you make up your city or town. I know someone who couldn’t get beyond the first few pages of Fifty Shades of Gray because she said it was so obvious the author knew nothing about Seattle! A reader recently pointed out that I had a horse eating straw instead of hay. Oops! Those kinds of mistakes are always on the author, and whatever time period you write, it’s vital to get details correct.
The biggest thing to remember about writing, no matter the time period,
is that we are telling a story. Make it a good one. Show, don’t tell, Engage the reader’s emotions. Have a great beginning, middle, and end. Mind your craft (grammar, punctuation, POV, etc.). Pay attention to details. If you do these things, you will be read (which is what we all want) regardless of the time period you choose.
Read the next blog in the blog hop by going here.
Burning Bridges by Anne Krist
One Woman Only
Only a Good Man Will Do
Naval Maneuvers
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By cloning here, I mean using traits of friends or family as part of your characters’ personalities. It’s a touchy thing, for sure!
names but some physical and personality features as secondary characters, and two out of three were angry over how she’d portrayed them. They didn’t like the parts in the book she assigned them, didn’t like how she portrayed their personalities, didn’t like… Well, you get the picture.
We all view people around us—their looks, their quirks, their actions—as fodder for rich characterization for our books. We can’t help it! But when it comes to those closest to us, maybe have a talk about what you have planned before writing.
before it’s needed—without actually involving the main characters. It’s a win-win!
hat will have them asking, “What’s next?” Of course, both the character in the prologue—often the villain—and the action itself has to lead to the main character, but without actually having him/her appear. Build suspense. Leave character development to the book’s chapters.